We have audiences to stay engaged with. We have our survival as a sector. So institutions like the A. How do we keep the pilot light going? An artist practices and trains and goes to class. You can get as close to live with a live stream, but you still are not in the same space.
But we all get it. And we thought, we have this amazing venue. How can we, with all the health and safety protocols, open it and offer our space as a studio for artists? How can we partner with artists to amplify their work, give them production support, put them on a platform, and get them out through our institutional muscle? Being able to create a series like Civically Speaking and inviting faculty to conversations around issues of history and politics and democracy, or when an artist like Claudia Rankine can be in conversation with Orlando Patterson, John Cowles Professor of Sociology, to talk about racial reckoning and whiteness in this moment [Thursday at 7 p.
How do we make space — albeit virtual — in this moment to be together in conversation? Projects In Development Waitress. Details only on IMDbPro ». Create a list ». The 66th Annual Tony Awards Premiere. The 63th Annual Tony Awards Premiere. See all related lists ». Do you have a demo reel? Add it to your IMDb page. Find out more at IMDbPro ». How Much Have You Seen? How much of Diane Paulus's work have you seen? Who Are You? You Are Breaking the Fourth Wall!!!
Known For. With her husband, Randy Weiner, Diane established a small theater troupe in New York City called Project Theatre Group, specialising in the creation of avant-garde musical productions which married classic theatre with modern music. In May , Diane was was named the artistic director of the American Repertory Theater , in an effort to revitalise their programme.
Diane became involved with bringing the film of Waitress by Adrienne Shelly to the stage as a musical in I saw that character and I thought, I know who that woman is because I know people who go through that.
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